Not the most cinematic of Wyler's films "The Little Foxes"betrays it's theatrical origins at every turn, despite Gregg Toland's superb cinematography, but since the material is so rich and so richly melodramatic that hardly matters. Lillian Hellman adapted her own play, with a little help from Dorothy Parker and Alan Campbell, and it's certainly a classic of the American stage. Here it's cast to something close to perfection. Bette Davis, too young for the part, nevertheless
makes Regina Giddens entirely her own while Dan Duryea, Charles Dingle,
Carl Benton Reid and most especially the great Patricia Collinge, (her
Miss Birdie is surely one of the screen's great supporting
performances), were never better. The young lovers, Teresa Wright and
Richard Carlson, are a miscalculation but the scene in which Davis
watches husband Herbert Marshall breathe his last is unforgettable.The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Monday, 4 February 2019
THE LITTLE FOXES
Not the most cinematic of Wyler's films "The Little Foxes"betrays it's theatrical origins at every turn, despite Gregg Toland's superb cinematography, but since the material is so rich and so richly melodramatic that hardly matters. Lillian Hellman adapted her own play, with a little help from Dorothy Parker and Alan Campbell, and it's certainly a classic of the American stage. Here it's cast to something close to perfection. Bette Davis, too young for the part, nevertheless
makes Regina Giddens entirely her own while Dan Duryea, Charles Dingle,
Carl Benton Reid and most especially the great Patricia Collinge, (her
Miss Birdie is surely one of the screen's great supporting
performances), were never better. The young lovers, Teresa Wright and
Richard Carlson, are a miscalculation but the scene in which Davis
watches husband Herbert Marshall breathe his last is unforgettable.
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