Michael Mann's "Collateral" is one of the best looking films I've ever
seen. It could be argued that it hardly matters if it's got an
interesting plot, is well directed, written and acted, (it has and it
is), just so long as you can keep looking at the screen. It was
photographed by Dion Beebe and Paul Cameron and it makes LA at night
look like the kind of place you might even want to visit. But enough of
that; what of that plot, direction etc? This time round Tom Cruise is a
villain, (and he's very good indeed playing bad), a hit-man in Los
Angeles for a night of murder who commandeers Jamie Foxx and his taxicab
as his hostage/accomplice and it's terrifically exciting; a brilliantly
constructed noirish thriller with two terrific performances, (Foxx and
Cruise compliment each other perfectly). It's brilliantly written by
Stuart Beattie and the direction is superb but then what did you expect
from a Michael Mann movie. When will Holllywood recognize the fact that
he is one of the best directors on the planet and give him the Oscar?
The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Monday, 1 April 2019
COLLATERAL
Michael Mann's "Collateral" is one of the best looking films I've ever
seen. It could be argued that it hardly matters if it's got an
interesting plot, is well directed, written and acted, (it has and it
is), just so long as you can keep looking at the screen. It was
photographed by Dion Beebe and Paul Cameron and it makes LA at night
look like the kind of place you might even want to visit. But enough of
that; what of that plot, direction etc? This time round Tom Cruise is a
villain, (and he's very good indeed playing bad), a hit-man in Los
Angeles for a night of murder who commandeers Jamie Foxx and his taxicab
as his hostage/accomplice and it's terrifically exciting; a brilliantly
constructed noirish thriller with two terrific performances, (Foxx and
Cruise compliment each other perfectly). It's brilliantly written by
Stuart Beattie and the direction is superb but then what did you expect
from a Michael Mann movie. When will Holllywood recognize the fact that
he is one of the best directors on the planet and give him the Oscar?
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