So how does "Doc" stand up against the others as cinema? The answer is
actually pretty well. At his best, Perry was a fine director who was
able to bring a keen intelligence to his material and in Stacy Keach,
(Doc), Harris Yulin, (Earp), and Faye Dunaway, (Kate), he had three
outstanding actors, while thanks to superb production design and the
cinematography of Gerald Hirschfeld is also a terrific looking picture.
However, it's let down somewhat by Pete Hamill's script which is so
concerned with being 'different' that it actually ticks every cliche in
the box. On the other hand, one of the films more interesting touches is
to suggest that maybe Wyatt harbored feelings for Doc that were a
little more than platonic. It may not be a 'great' western, then, but
it's a fine piece of revisionism, so much so that its 'truthfulness'
hardly matters at all.
The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Thursday, 20 June 2019
DOC
This grim, realist western was produced and directed by Frank Perry
in 1971 and recounted events that were already well-known to audiences
about a certain 'Doc' Holliday, his friend Wyatt Earp and a particular
gunfight at a particular corral but this one was down and dirty,
(literally; Doc is scrubbing his woman, a certain Kate Elder, minutes
into the movie), and telling it in a very different light. Of course,
being the 'adult' version of the story doesn't mean it's any more 'truthful' than any of the others. In all these cases, I think it is best to stick to that old adage, 'Print the Legend'.
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