When it first appeared in 1962 J. Lee Thompson's "Cape Fear" was largely
dismissed as just another piece of pulp fiction despite having
A-listers such as Gregory Peck and Robert Mitchum in the leads but it
had its fans, amongst them Martin Scorsese who made a large-scale remake
in 1991. Now, of course, Thompson's original is considered a classic
and deservedly so. It's still pulp fiction and it's still nasty but it's
a great piece of movie-making and a superb suspense picture.
Peck is the decent attorney who is being menaced by the vicious rapist he helped send to jail; it's as simple as that. What begins as purely psychological torture on the part of Mitchum's Max Cady turns increasingly more violent as the picture progresses, culminating in a brilliantly taut game of cat-and-mouse on the Cape Fear River. Peck's fine in his role but Mitchum's magnificent; it's a performance to set beside his Harry Powell in "Night of the Hunter". Add in Thompson's superlative direction, Sam Leavitt's brilliant black-and-while cinematography and a great Bernard Herrmann score and you have one of the best American films of its period and certainly one of the best thrillers of the sixties.
Peck is the decent attorney who is being menaced by the vicious rapist he helped send to jail; it's as simple as that. What begins as purely psychological torture on the part of Mitchum's Max Cady turns increasingly more violent as the picture progresses, culminating in a brilliantly taut game of cat-and-mouse on the Cape Fear River. Peck's fine in his role but Mitchum's magnificent; it's a performance to set beside his Harry Powell in "Night of the Hunter". Add in Thompson's superlative direction, Sam Leavitt's brilliant black-and-while cinematography and a great Bernard Herrmann score and you have one of the best American films of its period and certainly one of the best thrillers of the sixties.
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