This Fritz Lang film has been largely ignored though in it's way it is as psychologically astute as many of his better known works such as "Scarlett Street". In transposing a Clifford Odets play from New York to a Californian fishing community some of the more florid dialogue seems unnaturally heightened but the performances of the three principals (Barbara Stanwyck, Robert Ryan and particularly Paul Douglas) are stunning and the emotional core of the film is so strong that an audience can feel bruised by what's on screen. The blue collar milieu is perfectly evoked, the black-and-white cinematography by Nicholas Musuraca is first-rate and even the score seems understated, adding to, rather than detracting from the dramatic effect. Essential viewing.The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Thursday, 9 April 2020
CLASH BY NIGHT
This Fritz Lang film has been largely ignored though in it's way it is as psychologically astute as many of his better known works such as "Scarlett Street". In transposing a Clifford Odets play from New York to a Californian fishing community some of the more florid dialogue seems unnaturally heightened but the performances of the three principals (Barbara Stanwyck, Robert Ryan and particularly Paul Douglas) are stunning and the emotional core of the film is so strong that an audience can feel bruised by what's on screen. The blue collar milieu is perfectly evoked, the black-and-white cinematography by Nicholas Musuraca is first-rate and even the score seems understated, adding to, rather than detracting from the dramatic effect. Essential viewing.
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