One of the better biopics thanks in large part to a stunning performance from Vanessa Redgrave in the title role of "Isadora" and meticulous direction from Karel Reisz who obviously knew what he was doing and displayed an obvious affection for his subject. It's intelligent and it looks great and there's a fine supporting cast so with all this going for it why does it feel like a very high-class soap opera? Perhaps because all biopics can finally do nothing but reduce their subject's lives to a series of melodramatic incidents or 'highlights'. Perhaps because most famous people's lives are dull most of the time and it's only the melodramatic incidents that people are interested in. This one spins out a series of dances, (very well recreated by Redgrave), and romantic encounters with sufficient aplomb to give it an edge over most biopics. It isn't quite in the same class as Ken Russell's shorter, rawer television version but it comes close.The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Monday, 1 June 2020
ISADORA
One of the better biopics thanks in large part to a stunning performance from Vanessa Redgrave in the title role of "Isadora" and meticulous direction from Karel Reisz who obviously knew what he was doing and displayed an obvious affection for his subject. It's intelligent and it looks great and there's a fine supporting cast so with all this going for it why does it feel like a very high-class soap opera? Perhaps because all biopics can finally do nothing but reduce their subject's lives to a series of melodramatic incidents or 'highlights'. Perhaps because most famous people's lives are dull most of the time and it's only the melodramatic incidents that people are interested in. This one spins out a series of dances, (very well recreated by Redgrave), and romantic encounters with sufficient aplomb to give it an edge over most biopics. It isn't quite in the same class as Ken Russell's shorter, rawer television version but it comes close.
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