A jazz movie, a political movie and a kidnapping drama, "Kansas City" is all of them, rolled into one and this little known Robert Altman movie is one of his most enjoyable pictures. As in his more ambitious epics "Nashville" and "Short Cuts" he juggles several plot strands perfectly, helped along by another first-rate cast headed by Jennifer Jason Leigh, Miranda Richardson, Michael Murphy and a never better Harry Belafonte, (he won the New York Film Critics' Best Supporting Actor prize for this). It's the kidnapping plot or plots, depending on how you look at it, that dominate as they weave in and out through the other stories, borne along by some truly terrific jazz. You might not describe it as a thriller and, despite being laugh-out-loud funny at times, the comedy is largely satirical as you might expect from Altman but it looks fabulous and it's as sharp as a pin and it remains one of Altman's most underrated films.The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Saturday, 11 July 2020
KANSAS CITY
A jazz movie, a political movie and a kidnapping drama, "Kansas City" is all of them, rolled into one and this little known Robert Altman movie is one of his most enjoyable pictures. As in his more ambitious epics "Nashville" and "Short Cuts" he juggles several plot strands perfectly, helped along by another first-rate cast headed by Jennifer Jason Leigh, Miranda Richardson, Michael Murphy and a never better Harry Belafonte, (he won the New York Film Critics' Best Supporting Actor prize for this). It's the kidnapping plot or plots, depending on how you look at it, that dominate as they weave in and out through the other stories, borne along by some truly terrific jazz. You might not describe it as a thriller and, despite being laugh-out-loud funny at times, the comedy is largely satirical as you might expect from Altman but it looks fabulous and it's as sharp as a pin and it remains one of Altman's most underrated films.
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