The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Wednesday, 28 January 2026
GRAND TOUR
Miguel Gomes' has always remained amongst the most challenging of film-makers so you might say "Grand Tour" is something of a walk in the park though, being Gomes, this is a very exotic park indeed. The Grand Tour of the title is Edward's though as he moves further away from his pursuing fiancee Molly it's less of a grand tour as it is a feverish escape which Gomes treats in his usual elliptical manner.
Shot once again in gorgeous monochrome with color inserts and making no concessions to realism, (it may be set in 1917 but Gomes' is a world of mobile phones, motorcars and skyscrapers), this is cinema at its purest and, once you settle into its beautifully languid mood, at its most engaging.
As ever Gomes' actors, (Goncalo Waddington as Edward, Crista Alfaiate as Molly), are merely his puppets, a recurring motif throughout the film, but he remains a master puppeteer. Considering the cinematic tricks he employs to keep Edward and Molly at a distance, not just from each other but from us, we not only get to know them but we come to care about them deeply. This movie is heady, intoxicating and beautiful in ways cinema so rarely is; it is, in fact, a masterpiece.
UNIVERSAL LANGUAGE
Like a series of 'New Yorker' cartoons brought to life or a strip from 'Mad' magazine. Matthew Rankin's "Universal Language" has been compared to both Roy Andersson and Guy Maddin but is perhaps closer to a Marx Brothers comedy, (referenced in the opening scene), or even one of Woody Allen's 'early funny films', (also referenced in the opening scene), at least in the beginning before turning, if not quite serious, at least melancholy about the midway mark.
Visually it's amazing with the sight gags as sharp as the verbal ones and there's even a thread of a plot running through it linked by a character played by none other than Rankin himself keeping a remarkably straight face as well he might as almost imperceptibly he drains the film of the laugh-out-loud humor of the early scenes. In some quarters it's already being hailed as a masterpiece but maybe its just a little too 'obscure' for most tastes.
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