Critically reviled at the time of its release this Otto Preminger film
indeed suffers from some serious miscasting, (Michael Caine as a
gentleman from the Deep South; Jane Fonda as his Southern Belle of a
wife), and it does lay on the hysteria a tad thickly not to mention
having a few plot strands that could do with some serious tidying up, but
like so many of Preminger's pictures it's also seriously underrated.
Preminger was always in his element when dealing with serious subjects
in a melodramatic fashion, (here the issue of racial prejudice as well
as the sexual shenanigans of the well-heeled and not so well-heeled
white folks). If the accents vary widely the large cast otherwise
acquit themselves with aplomb, (Fonda is excellent, then there's always a
young Faye Dunaway, Burgess Meredith, always good as a villain, Robert
Hooks, Beah Richards and George Kennedy), while the director once again
makes very good use of the wide-screen. If the material is handled more
conventionally than in several of Preminger's preceding pictures it
nevertheless shows a master's hand at work making this a movie ripe for
rediscovery.
The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Wednesday, 18 July 2018
Subscribe to:
Post Comments (Atom)
JUROR #2
If "Juror #2" turns out to be the last film Clint Eastwood makes, (quite possible since the man is 94 now), at least he will have...
-
Having made two films on the essence of cinema or at least on the filmmaker's craft, (her own), Joanna Hogg has now turned her attentio...
-
You know that a Lars von Trier serial killer movie is unlikely to be like anyone else's serial killer movie; that it is most likely t...
No comments:
Post a Comment