Often cited as one of the greatest documentaries ever made Jean Rouch
and Edgar Morin's "Chronicles of a Summer" takes a look at the lives of
of ordinary Parisians over the course of the summer of 1960. It was
filmed in a 'cinema vertie' style, using the people who appear as if
they were actors 'acting out' their lives. There is no voice-over; their
technique is to use interviews or simply silently film these people
going about their business. What distinguishes this extraordinary
film from others of its kind is that this is a work both sociological
and deeply political, a piece of social history in which Africans are
side-lined and homosexuality never mentioned.
Rouch and Morin pick and choose their subjects, mostly workers,
students and intellectuals, and back them into a corner where the
politics of the proletariat becomes the benchmark. These people talk
fearlessly about their treatment by the State and the drugery of their
daily routine with white Parisians oblivious to their inherent racism.
The film-makers fundamental question is, 'Are you happy?' Initially two women interview people on the street asking them if they are happy and as the film progresses this becomes its focal point while the level of intimacy Rouch and Morin achieves is extraordinary. Theirs is a technique other film-makers have used many times since, perhaps more skillfully as film-making has become more sophisticated but this masterpiece remains the granddaddy of them all. Unmissable.
The film-makers fundamental question is, 'Are you happy?' Initially two women interview people on the street asking them if they are happy and as the film progresses this becomes its focal point while the level of intimacy Rouch and Morin achieves is extraordinary. Theirs is a technique other film-makers have used many times since, perhaps more skillfully as film-making has become more sophisticated but this masterpiece remains the granddaddy of them all. Unmissable.

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