Viewed today Michaelangelo Antonioni's "Le
Amiche" feels like a dry-run for his great trilogy of alienation that
began with "LAvventura". This movie isn't in the same class but it is
still very fine. It's like Cukor's "The Women" minus the laughs as
lonely, pragmatic Clelia, (an excellent Eleonora Rossi Drago), returns
to her native Turin and falls in with a group of rich, bored and, in one
case, suicidal women and equally bored and cynical men, the one
exception being Carlo, (Ettore Manni), with whom she starts some kind
of relationship.
If it's not quite as densely plotted as "L'Avventura" and if there are no set-pieces to equal those that were to come later in Antonioni's work it nevertheless displays a very cool intelligence that never panders to the cliches of this kind of female orientated picture; there are no hints of lesbianism and the friendships are fickle at best. Even as early as 1955 Antonioni was hooked on that old ennui. Not one of his masterpieces, perhaps, but an essential part of the Antonioni canon all the same.
If it's not quite as densely plotted as "L'Avventura" and if there are no set-pieces to equal those that were to come later in Antonioni's work it nevertheless displays a very cool intelligence that never panders to the cliches of this kind of female orientated picture; there are no hints of lesbianism and the friendships are fickle at best. Even as early as 1955 Antonioni was hooked on that old ennui. Not one of his masterpieces, perhaps, but an essential part of the Antonioni canon all the same.
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