Marcel L'Herbier's "L'Argent" clocks in at 195 minutes. Nothing strange
about that you might think but this is a silent film, made in France in
1928 and dealing, not in the epic themes of a "Ben Hur", an
"Intolerance" or a "Napoleon" but in the contemporary, in the everyday,
though not in the mundane. The title translates as 'Money' and money
permeates every aspect of this picture which is 'inspired by' rather
than based on a novel by Zola. It may not be a masterpiece but it is
quite extraordinary just as it is extraordinary to think audiences ever
took to this film, set largely in the world of stock exchanges and high
finance, which isn't just on the long side but is also sophisticated and
challenging. It requires more than patience; it requires intelligence.
The plot may be melodramatic, necessary at the time perhaps to draw its
audience in, but it is a film that deals in depth with unusual themes.
It is also superbly acted, (the large cast includes the great Brigitte
Helm, Alfred Abel and in a small part, Jules Berry), photographed and
edited. Indeed, this is one of the great 'lost' silent pictures and it
really needs rediscovery.
The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Sunday, 9 September 2018
L'ARGENT
Marcel L'Herbier's "L'Argent" clocks in at 195 minutes. Nothing strange
about that you might think but this is a silent film, made in France in
1928 and dealing, not in the epic themes of a "Ben Hur", an
"Intolerance" or a "Napoleon" but in the contemporary, in the everyday,
though not in the mundane. The title translates as 'Money' and money
permeates every aspect of this picture which is 'inspired by' rather
than based on a novel by Zola. It may not be a masterpiece but it is
quite extraordinary just as it is extraordinary to think audiences ever
took to this film, set largely in the world of stock exchanges and high
finance, which isn't just on the long side but is also sophisticated and
challenging. It requires more than patience; it requires intelligence.
The plot may be melodramatic, necessary at the time perhaps to draw its
audience in, but it is a film that deals in depth with unusual themes.
It is also superbly acted, (the large cast includes the great Brigitte
Helm, Alfred Abel and in a small part, Jules Berry), photographed and
edited. Indeed, this is one of the great 'lost' silent pictures and it
really needs rediscovery.
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