This is probably Bryan Forbes' best film. It's an extremely taut, bleak
and downbeat piece of work, the kind of thriller that truly merits the
adjective 'clammy'. It is set in one of those London suburbs you really
wouldn't want to live in, certainly not with a neighbour like Kim
Stanley's demented medium who hatches a plot, (her weak-willed husband,
played by Richard Attenborough, forces himself to go along with it), to
kidnap a child then reveal the child's whereabouts to the police so she
can achieve a kind of fame. But you know instantly that the woman is
dangerously unstable and things can only go from very bad to much worse.
Both Stanley, (much underused, at least so far as the cinema was
concerned), and Attenborough give terrific performances and Forbes
handles the unsettling material, (from a novel by Mark McShane), with
considerable brio.
The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Monday, 17 September 2018
SEANCE ON A WET AFTERNOON
This is probably Bryan Forbes' best film. It's an extremely taut, bleak
and downbeat piece of work, the kind of thriller that truly merits the
adjective 'clammy'. It is set in one of those London suburbs you really
wouldn't want to live in, certainly not with a neighbour like Kim
Stanley's demented medium who hatches a plot, (her weak-willed husband,
played by Richard Attenborough, forces himself to go along with it), to
kidnap a child then reveal the child's whereabouts to the police so she
can achieve a kind of fame. But you know instantly that the woman is
dangerously unstable and things can only go from very bad to much worse.
Both Stanley, (much underused, at least so far as the cinema was
concerned), and Attenborough give terrific performances and Forbes
handles the unsettling material, (from a novel by Mark McShane), with
considerable brio.
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