Largely derided in critical circles, Hitchcock's "Under Capricorn" is, in
fact, one of his greatest films; on the one hand it's deeply romantic
with an antecedent in "Rebecca" and on the other, a dark, psychological
drama as good as anything he's done. It's a Victorian melodrama set in
Australia, though it equally could have been set in the American Deep
South during the Civil War. It's got a mansion, a distressed heroine,
malevolent servants and a hero who used to be an ex-convict.
If the Irish backstory is unconvincing, it's a small price to pay. As
the once great lady who has taken to drink Ingrid Bergman is quite
magnificent, (it's one of her greatest and most underrated performances), and as her husband, the stable-boy who has struck it rich, Joseph Cotten is very good indeed. The 'Mrs Danvers' role of the nasty housekeeper, (here called Milly), is brilliantly played by Margaret Leighton and even Michael Wilding acquits himself well as the visitor from Ireland. In some respects it's the least Hitchcockian of his films, (which may be why it isn't that highly thought of), but rather than dazzle us with tricks he just gets down to the business at hand. This is a good tale, superbly told and surely it 's time it was re-assessed.The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Tuesday, 18 September 2018
UNDER CAPRICORN
Largely derided in critical circles, Hitchcock's "Under Capricorn" is, in
fact, one of his greatest films; on the one hand it's deeply romantic
with an antecedent in "Rebecca" and on the other, a dark, psychological
drama as good as anything he's done. It's a Victorian melodrama set in
Australia, though it equally could have been set in the American Deep
South during the Civil War. It's got a mansion, a distressed heroine,
malevolent servants and a hero who used to be an ex-convict.
If the Irish backstory is unconvincing, it's a small price to pay. As
the once great lady who has taken to drink Ingrid Bergman is quite
magnificent, (it's one of her greatest and most underrated performances), and as her husband, the stable-boy who has struck it rich, Joseph Cotten is very good indeed. The 'Mrs Danvers' role of the nasty housekeeper, (here called Milly), is brilliantly played by Margaret Leighton and even Michael Wilding acquits himself well as the visitor from Ireland. In some respects it's the least Hitchcockian of his films, (which may be why it isn't that highly thought of), but rather than dazzle us with tricks he just gets down to the business at hand. This is a good tale, superbly told and surely it 's time it was re-assessed.
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