"The Long Goodbye"is one of several masterpieces from director Robert Altman. It was his contemporaneous take on a Raymond Chandler/Philip Marlowe novel transposed to the then present day Los Angeles, (it was made in 1973). Marlowe is Elliot Gould in a career-best performance, a louche modern-day cynic who lives alone with his cat and who is drawn into a complex plot of murder, suicide, robbery and adultery by his friend Terry Lennox, (Jim Bouton). Others involved include drunken
novelist Sterling Hayden and his enigmatic wife (singer Nina Van
Pallandt), vicious hood Mark Rydell and a possibly bogus doctor played
by a mincing Henry Gibson. Nothing or no-one are quite as they seem.
Of course, this isn't Chandler as we know him, (the brilliant script is
by the great Leigh Brackett), and the film certainly isn't a 'thriller',
(in the end it hardly matters who did what and to whom), but Altman's
riff on an LA theme circa the early seventies. It's stunningly shot in
widescreen by Vilmos Zsigmond and is one of the key American movies of
its decade. Sadly neglected at the time of its release it is now being
rightly reassessed.The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Sunday, 9 December 2018
THE LONG GOODBYE
"The Long Goodbye"is one of several masterpieces from director Robert Altman. It was his contemporaneous take on a Raymond Chandler/Philip Marlowe novel transposed to the then present day Los Angeles, (it was made in 1973). Marlowe is Elliot Gould in a career-best performance, a louche modern-day cynic who lives alone with his cat and who is drawn into a complex plot of murder, suicide, robbery and adultery by his friend Terry Lennox, (Jim Bouton). Others involved include drunken
novelist Sterling Hayden and his enigmatic wife (singer Nina Van
Pallandt), vicious hood Mark Rydell and a possibly bogus doctor played
by a mincing Henry Gibson. Nothing or no-one are quite as they seem.
Of course, this isn't Chandler as we know him, (the brilliant script is
by the great Leigh Brackett), and the film certainly isn't a 'thriller',
(in the end it hardly matters who did what and to whom), but Altman's
riff on an LA theme circa the early seventies. It's stunningly shot in
widescreen by Vilmos Zsigmond and is one of the key American movies of
its decade. Sadly neglected at the time of its release it is now being
rightly reassessed.
Subscribe to:
Post Comments (Atom)
CAUGHT STEALING
A very black crime comedy from, of all people, Darren Aronofsky which means it's also quite nasty, (for a 'comedy' it's ver...
-
Ask almost anyone which animals or creatures they are most afraid of and they are more likely to say spiders or rats rather than tigers or ...
-
Minor Ford at his most homespun and with Will Rogers in the lead they don't come much more homespun than this piece of Americana. Of co...
No comments:
Post a Comment