SULLY

I have always maintained that Clint Eastwood may be the last of the great 'classical' directors still working in Hollywood, despite the fact that he has only been making films since the 1970's. Like Hawks and Wyler and, to a large extent his mentor Don Siegel before him, there is nothing ostentatious or showy about his films, preferring instead to rely on narrative and casting. His films are usually about strong, almost silent, men who prove themselves capable of almost superhuman displays of strength, if not in any literal sense, certainly of character. In the past he often took on that role himself but he's 86 now and is unlikely to appear in front of the camera again anytime soon.

In "Sully" the central character is played by that most unassuming of actors Tom Hanks in what may be a career-best performance. He is, of course, Chesley Sullenberger, the pilot who landed US Airways Flight 1549 on the Hudson River on 15th January, 2009 with no loss of life. Hailed instantly as a hero by the world at large, Sully had still to clear his name with the aviation authority who initially claimed he could have safely returned the plane to La Guardia; Sully argued otherwise.

For a film where the outcome is already known it remains both incredibly exciting as well as deeply moving, testament to both Eastwood's direction and Hank's acting. He is the lynch-pin of a first-rate ensemble that includes Aaron Eckhart at his very best as his co-pilot and Laura Linney as Sully's wife. She literally phones in her performance, appearing on the phone in everyone of her scenes. She's still superb, proving yet again just how good an actress she is. When, I kept asking myself, is someone going to write a great role for Linney the way they do with a certain Miss Streep. As for the real Sully, I can't think of a more fitting tribute to the man than this. Eastwood's magnificent direction and Hank's magnificent performance do him proud.