Grigori Chukhrai's "Ballad of a Soldier" was one of the first post-war
Russian films to enjoy international success, (it won the BAFTA for Best
Film and its screenplay was nominated for the Oscar). Of course, it
isn't hard to see why the film proved so popular in the West. In many
ways it's a typical Hollywood love story, as lyrical as anything Frank
Borzage might have made. These Russians weren't 'the red menace' and
could just as easily have come from the American Midwest.
Its hero is Alyosha, (Vladimir Ivashov; handsome, boyish, nineteen, a
Richard Barthelmess of the Steppes), and the film recounts his last
journey home from the Russian Front during World War 11. Not a great
deal happens; he helps a soldier who las lost a leg get home and he
meets a girl and falls in love. It might even be banal were it not for
the artistry and the poetry which Chukhrai puts into every frame,
(Vladimir Nikolayev and Era Savelyeva's cinematography is superb; there
are scenes, particularly in the closeups, that could have come from the
best of silent cinema). And it is this artistry which elevates the
picture beyond anything Hollywood was making at the time, (compare this
to Dmytryk's really banal "The Young Lions"). Its simplicity may no
longer be fashionable but it's a great film nevertheless.
The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Sunday, 24 March 2019
BALLAD OF A SOLDIER
Grigori Chukhrai's "Ballad of a Soldier" was one of the first post-war
Russian films to enjoy international success, (it won the BAFTA for Best
Film and its screenplay was nominated for the Oscar). Of course, it
isn't hard to see why the film proved so popular in the West. In many
ways it's a typical Hollywood love story, as lyrical as anything Frank
Borzage might have made. These Russians weren't 'the red menace' and
could just as easily have come from the American Midwest.
Its hero is Alyosha, (Vladimir Ivashov; handsome, boyish, nineteen, a
Richard Barthelmess of the Steppes), and the film recounts his last
journey home from the Russian Front during World War 11. Not a great
deal happens; he helps a soldier who las lost a leg get home and he
meets a girl and falls in love. It might even be banal were it not for
the artistry and the poetry which Chukhrai puts into every frame,
(Vladimir Nikolayev and Era Savelyeva's cinematography is superb; there
are scenes, particularly in the closeups, that could have come from the
best of silent cinema). And it is this artistry which elevates the
picture beyond anything Hollywood was making at the time, (compare this
to Dmytryk's really banal "The Young Lions"). Its simplicity may no
longer be fashionable but it's a great film nevertheless.
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