"I am Cuba" has some of the greatest tracking shots in all of cinema.
Here is a film that practically reinvents cinema. It was made by the
Russian director Mikhail Kalatozov in the early sixties as a kind of
love-letter to the island and the Revolution. He filmed it like a
documentary but with a scripted narrative and using 'actors' to tell the
story of the Revolution and what lead to it but unaccountably the film
was neither popular with the Cubans or the Russians. Did they
really think it lacked revolutionary fervour? Yet this isn't a film you
watch for the narrative alone but for the technique employed and
visually this is one of the greatest of all films. Almost every shot is
a stunner and like all great visual films the intensity of the images
take on a life of their own turning the somewhat didactic
'story-telling' into real poetry. The script may be propaganda and the
acting wooden but the imagery is so strikingly vivid it forces you to
care about the characters and there are scenes in this film that rank
with the finest in all of world cinema. Indeed, I think this film is up
there with "The Battle of Algiers" and Salvatore Guiliano" as one of the
great revolutionary pictures. 'Lost' for almost 30 years it was finally
re-released through the auspices of Martin Scorsese and Francis Ford
Coppola. We owe them a considerable debt of gratitude.
The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Saturday, 23 March 2019
I AM CUBA
"I am Cuba" has some of the greatest tracking shots in all of cinema.
Here is a film that practically reinvents cinema. It was made by the
Russian director Mikhail Kalatozov in the early sixties as a kind of
love-letter to the island and the Revolution. He filmed it like a
documentary but with a scripted narrative and using 'actors' to tell the
story of the Revolution and what lead to it but unaccountably the film
was neither popular with the Cubans or the Russians. Did they
really think it lacked revolutionary fervour? Yet this isn't a film you
watch for the narrative alone but for the technique employed and
visually this is one of the greatest of all films. Almost every shot is
a stunner and like all great visual films the intensity of the images
take on a life of their own turning the somewhat didactic
'story-telling' into real poetry. The script may be propaganda and the
acting wooden but the imagery is so strikingly vivid it forces you to
care about the characters and there are scenes in this film that rank
with the finest in all of world cinema. Indeed, I think this film is up
there with "The Battle of Algiers" and Salvatore Guiliano" as one of the
great revolutionary pictures. 'Lost' for almost 30 years it was finally
re-released through the auspices of Martin Scorsese and Francis Ford
Coppola. We owe them a considerable debt of gratitude.
Subscribe to:
Post Comments (Atom)
CAUGHT STEALING
A very black crime comedy from, of all people, Darren Aronofsky which means it's also quite nasty, (for a 'comedy' it's ver...
-
Ask almost anyone which animals or creatures they are most afraid of and they are more likely to say spiders or rats rather than tigers or ...
-
Minor Ford at his most homespun and with Will Rogers in the lead they don't come much more homespun than this piece of Americana. Of co...
No comments:
Post a Comment