Friday, 8 March 2019

ON APPROVAL

The most English of all English comedies and something of a tour-de-force, particularly for Clive Brook who produced, directed and adapted Frederick Lonsdale's play as well as taking the lead as a penniless Duke in love with an American heiress. She's Googie Withers but she doesn't love him back. They end up as chaperones, he to Roland Culver and she to Beatrice Lillie, on a Scottish island where Lillie has brought Culver for a month 'on approval' to see if she likes him enough to marry him. All four are superb but Lillie, in one of her few major film roles, walks off with the movie as the obnoxious Maria, though in the acting stakes Brook does give her a run for her money. The film is seldom revived, however; could it be just too sophisticated for mass consumption?

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