Largely dismissed at the time of its release, "Torn Curtain" is, I feel,
one of Alfred Hitchcock's most underrated films. Okay, it's no
masterpiece but it is consistently entertaining and has several splendid
Hitchcockian set-pieces, (including one particularly gruesome murder
and another very suspenseful sequence set once again in a theatre). It's
also very nicely played by Paul Newman as a would-be defector and Julie
Andrews as his fiancee who unwittingly gets caught up in his schemes
and there's an excellent supporting turn from Ludwig Donath as the
German professor whose brain contains the secrets Newman is after as
well as a terrific cameo from Madame Hortense herself, Lila Kedrova
while the Cold War espionage plot harks back to some of Hitch's classic
'40's spy pictures. The fine script is by Belfast-born novelist Brian
Moore and Hitchcock makes excellent use of his European locations as
well as some suitably artificial studio settings.The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Tuesday, 16 July 2019
TORN CURTAIN
Largely dismissed at the time of its release, "Torn Curtain" is, I feel,
one of Alfred Hitchcock's most underrated films. Okay, it's no
masterpiece but it is consistently entertaining and has several splendid
Hitchcockian set-pieces, (including one particularly gruesome murder
and another very suspenseful sequence set once again in a theatre). It's
also very nicely played by Paul Newman as a would-be defector and Julie
Andrews as his fiancee who unwittingly gets caught up in his schemes
and there's an excellent supporting turn from Ludwig Donath as the
German professor whose brain contains the secrets Newman is after as
well as a terrific cameo from Madame Hortense herself, Lila Kedrova
while the Cold War espionage plot harks back to some of Hitch's classic
'40's spy pictures. The fine script is by Belfast-born novelist Brian
Moore and Hitchcock makes excellent use of his European locations as
well as some suitably artificial studio settings.
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