A number of people believe that if Sam Peckinpah had directed "The Glory Guys" it might have been a masterpiece. Instead we get a Peckinpah screenplay with the directing duties handed to the little known Arnold Laven and yet as it stands this is one of the finest of all Cavalry pictures even if not too many people have seen it. It's magnificently shot in widescreen by the great James Wong Howe though it's indifferently acted. None of the leads, (Tom Tryon, Harve Presnell, Senta Berger), have much charisma though it's always good to see James Caan, (with a dreadful Oirish accent) but there are sequences here as good as anything Ford or Peckinpah might have given us, be it a bar-room brawl, an Indian massacre or a beautifully sustained scene on a parade ground. Peckinpah was the original director but was replaced by Laven and by 1965 the Western was no longer as popular as it had been a decade or so earlier. This one is ripe for rediscovery.The films reviewed here represent those I have liked or loved over the years. It is not a list of my favourite films but all the films reviewed here are worth seeing and worth seeking out. I know many of you won't agree with me on a lot of these but hopefully you will grant me, and the films that appear here, our place in the sun. Thanks for reading.
Thursday, 30 July 2020
THE GLORY GUYS
A number of people believe that if Sam Peckinpah had directed "The Glory Guys" it might have been a masterpiece. Instead we get a Peckinpah screenplay with the directing duties handed to the little known Arnold Laven and yet as it stands this is one of the finest of all Cavalry pictures even if not too many people have seen it. It's magnificently shot in widescreen by the great James Wong Howe though it's indifferently acted. None of the leads, (Tom Tryon, Harve Presnell, Senta Berger), have much charisma though it's always good to see James Caan, (with a dreadful Oirish accent) but there are sequences here as good as anything Ford or Peckinpah might have given us, be it a bar-room brawl, an Indian massacre or a beautifully sustained scene on a parade ground. Peckinpah was the original director but was replaced by Laven and by 1965 the Western was no longer as popular as it had been a decade or so earlier. This one is ripe for rediscovery.
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